WTAR 2017 Documentary

Mariko Hori (Japan/Serbia) – Born in Hyogo, Japan, based in Belgrade, Serbia. Mainly installations, her work deals with alternatives space and uncovering site-specific perceptions through broadening or changing the focus in the details of daily life. When intentionally placing specific objects in spaces where they don’t usually belong, the selection of objects and the space in-between makes the atmosphere different and something unexplainable arises.

Marina Moskalenko (Ukraine) – Marina specializes in interactive installations, actions and visual arts (incl. Fine Arts, with Graphic Artist qualification); her WTAR project will be presented in Depot Poduene, details TBC – the concept of her project will be created and developed during the residency, with the site in mind, and is not available beforehand.

Johannes Gerard (Netherlands) – visual artist with almost 30 years of experience with projects in sculpture, installations, mixed media, photography and print; his WTAR project will be presented at the House of Culture “Iskur”, details TBC.

Pierre Tardiff (France/UK) – creative technologist and sound designer, with a degree in electronic engineering, Pierre has an exciting portfolio of work in London; his idea is to present a combination of music, science and artwork.

Anna-Maria Bogner (Austria) – her work focuses on the appropriation of space, space limitations and the spaces in between. WTAR project: installation from objects found on site, transforming the space in which they’re found; an exploration of our own and shared reality.

Haruka Tomatsu (Japan) – WTAR project: installation and interactive dance performance for Depot Poduene, exploring memories-objects relations; the dance technique used in this project is called Butho – originated in Japan in the 1950s, it’s a dance without preliminary choreography, created on the spot, depending on the space and context in which it is performed. 

Serena Chalker (Australia) – Serena’s practice draws from dance, audio/text, theatre, happening and intervention. WTAR project: series of intimate performance encounters / meetings with the audience, based at Depot Poduene, examining our relationship to change and transition, and how this influences our sense of connectedness to a place.

Ren Qian, Cai Qing, Shen Yun (China) – collective exhibition of projects (video, photography, installations), documenting a nearly 10-years long exploration of water (lakes, rivers, bays, etc.) and its place in humans’ traditions/history/practices around the world and in China.

Nia Pushkarova - PREDISPOSITION LIMITED BY CIRCUMSTANCES” – Performance and installation

Music Performers

Ponton (Serbia) - The Serbian Duo are Marko Jevtic and Igor Stangliczky. PonTon are soundscape storytellers since 2008 and have 5 albums behind their back – a collection of electro-acoustic improv, drone, post-rock, soundscape storytelling. 

White Flower (UK) - Seb Silas (soprano saxophone) and Sylvia Schmidt (vocals).
Formed as a response to the erratic and all-consuming city of London, White Flower offers its audiences an opportunity to step away from urban life, pay attention to intimate sound, and be drawn into dream-like sonorities. Through creating a focus on stillness & silence, but exploring uncomfortability & contradiction, a trance-like catharsis is offered for contemplation.

PRESENTATION OF RESULTS TO PUBLIC

21.07, 18:00-22:00, Council Cultural Institute House of Culture “Iskur”:  Cai Qing, Ren Qian, Shen Yun, Johannes Gerard, PonTon

22.07, 18:00-23:00, Depot Poduene: all other artists, White Flower